
Apparently harmless fun, but with a bitter side that is the same as always
(February 2023)

Instants of human connection, of friendships in construction
(October, 2021)

Latest protests against Poland’s new abortion laws in the city of Gdansk
(October, 2020)

People take the streets to show their solidarity with Ukraine
(February 2022)

What does it mean to be a ‘Brusseler’?
(February-August 2021)

Places where the mundane has popped up in an uncanny way that we did not foresee
(March, April, May 2020)

Capturing the moments that make us what we are?
(October – Ongoing 2021)

Snowfall in the city of Gdansk, Poland (February, 2021)

Amid the pandemic lockdown, nothing is what appears to be
(May, 2020)

From a war warehouse to an artistic oasis (February, 2020)

…it turns objects and scenes into something unique, real, pure and mysterious
(December, 2019)

A visual glimpse of the Women’s Day in Gdansk and where Polish woman stand now
(March, 2020)

A place full of history and nest of most changings in late 20th Century (June, 2016)
Published also in La Vanguardia

Now, 14 years later
(October, 2018)

“If we stop, the world stops“
(March, 2018)

Is that the final step of turning the country away from democracy?
(July, 2018)

The attempt for many Catalans to vote
(October, 2017).

A forgotten area with a new lease of life
(September, 2018).
Published also in La Vanguardia

(July, 2019)
Published also in La Vanguardia

From this railway station between 1941-1944, the German Nazi regime deported over 7,000 Jews
(October, 2018)

Black and white scenes
(August, 2015)

Long-term project about the future of the Church (April-July, 2016)
Published also in La Vanguardia

Formerly Known As The Bermuda Triangle, The Neighbourhood Faces A Complete Paint Job
(May, 2019)

(September, 2016)

The 5th edition of the Documentary Photography Festival of Barcelona
(October, 2017)

L’escola romandrà inalterable si no canvia el rol del mestre en la societat
(April, 2017)

Support or not a strike should be a right, not an imposition
(March, 2016)

(May, 2016)
© Copyright 2023, Andrea Ariet